Viewing: Psalms, Hymns, Songs - View all posts

O Christ Our Hope 

Text: O Christ Our Hope, a Latin hymn from the 7th or 8th Century.
Music: KINGSFOLD, Traditional English Melody
Guitar & Vocals: Nathan C. George
Video: Asher Pope

I added two subtle synths, some reverb, and a very subtle doubled vocal, along with a little EQ and compression.

How Sweet and Awesome is the Place 

Guitar & Vocal: Nathan Clark George
Text: Isaac Watts, 1707
Music: ST. COLUMBIA (Old Irish Melody)

Video: Captured by Asher Pope, 2021
Audio Recording: This was a live recording with an extra guitar layered on top for the solo. Used a Universal Audio interface, a Vanguard Stereo mic, and added some EQ, compression, and reverb.

Here's a PDF with Chords in D 
And here's one in G (transposed it's really too low for the staff... But, I play this in G, but with a drop D tuning.) 


I Will Rejoice (2020 Version) 

This month (June 2020) at Christ Covenant Church we are working our way through Habakkuk, which is one of my favorite books of the Bible. This week in worship I will introduce I Will Rejoice, based on Hab. 3:17-19. 

Part of what I love about this passage is how it prepares our hearts to give thanks even in the face of providence that we don't understand. Seems appropriate to most times. 

Back in 2006 I released my album Rise in the Darkness. For this update I have redone the vocals, and  smoothed out a couple phrases with congregations in mind. Plus, I gave the melody a lift at the end of the chorus. Finally, I was able to add my kiddos on background vocals!

Stream or download I Will Rejoice (2020 Version) here. There's a lead sheet with chords too. Enjoy!

P.S. My son, Elliot is working out some string parts, and I look forward to singing this with our choir once we are back to whatever normal will look like. 


Worship Notes For Sunday, June 21, 2020 at Christ Covenant Church, Matthews NC

VIDEO: I'm Not Ashamed to Own My Lord 

Here's an old song recorded with my family. We like to take it in a quasi-bluegrass vein, but it would be a great congregational song too. Enjoy!


1 I’m not ashamed to own my Lord, or to defend his cause, 
maintain the honor of his Word, the glory of his cross. 

2 Jesus, my God! I know his name, his name is all my trust; 
nor will he put my soul to shame, nor let my hope be lost. 

3 Firm as his throne his promise stands, and he can well secure 
what I’ve committed to his hands ’til the decisive hour. 

4 Then will he own my worthless name before his Father’s face, 
and in the new Jerusalem appoint my soul a place. 

Text: Isaac Watts, 1709 Music: PISGAH, from Kentucky Harmony, 1817.

VIDEO: Are You Weary, Are You Languid 

A good friend brought this hymn to my attention, and it’s a good one. I don’t know that I have ever used the word languid. However, it sure does capture the idea of weakness and fatigue well. In times of uncertainty or doubt, the text of this old song is wonderfully encouraging. “Is he sure to bless? Saints, apostles, prophets, martyrs answer yes.”

Text: John Mason Neale, 1882 
Music: STEPHANOS, by Henry W. Baker, 1868 
For the arrangement I simply adjusted the chord structure and an added refrain using the last verse of the text. 

Chorded Version: Download 

Capo Chorded Version:  Download 


 Are you weary, are you languid, are you sore distress’d? 
“Come to me,” says One, “and, coming, be at rest.” 
Has he marks to lead me to him, if he be my Guide? 
“In his feet and hands are wound-prints, and his side.” 

Finding, foll’wing, keeping, struggling, is he sure to bless? 
“Saints, apostles, prophets, martyrs answer yes.” 

Is there diadem, as Monarch, that his brow adorns? 
“Yes, a crown, in very surety, but of thorns.” 
If I find him, if I follow, what his promise here? 
“Many a sorrow, many a labor, many a tear.” 

If I still hold closely to him, what has he at last? 
“Sorrow vanquished, labor ended, Jordan passed.” 
If I ask him to receive me, will he say me nay? 
“Not till earth and not till heaven pass away.”

Yesterday, Today, and Forever 

Colossians 3:16 (ESV) Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God. 

This is an incredibly familiar passage. Equally familiar are the debates about the use of traditional versus contemporary music in worship. A little less familiar are the debates about singing psalms only. On the face of it, the verse would seem to answer all the debates. Shouldn’t we just use all three categories? Yes, but the conversations continue. 

So Yesterday: Hymns 

Some disparage using hymns in worship for various reasons. One argument is that the three categories listed in Colossians are simply categories of psalms. After all, several psalm inscriptions describe it as “a song.” Further, they will often point out mistaken (or at least squishy) theology in some hymns and songs, and rightly so. 

Other’s will disparage hymns because they are boring, out dated, too hard to sing, or connected with historical events or movements we don’t appreciate anymore. You don’t have to look too hard to find someone who will beat up on hymns. 

So Today: Songs 

Yet, you can easily find folks who throw most praise and worship songs under the bus (both modern worship songs and older gospel songs). Many will argue that they are vapid, simplistic, repetitive, melodically boring, and lyrically one-dimensional. Plus, many have pointed out that modern praise music pretty much repels men. Those in this camp can easily find low hanging fruit to pick on. I certainly have. 

Add to this the painfully obvious marketing machine…. Now, marketing itself is fine, but we all cringe a bit knowing that major dollars are spent to make the next big worship song common place on radio and in churches, perfectly timed for Easter to boot. Should songwriters and record executives be the driving force behind the church’s song texts? Good question. In any case it seems there is plenty to complain about when it comes to the modern worship song phenomenon. 

So Forever: Psalms 

Then there is the unused Psalter. Some will quickly point out that many praise songs are psalms. But I’m speaking of singing through a large portion of a psalm, or even a whole psalm. Avoiding this is understandable. The texts are often awkward and at times the subject matter can feel out of place and uncomfortable. Singing the Psalms confronts our milk-toast theology. It forces us to grapple with texts that paint God in ways that would never pass the bumper sticker committee. 

Plus, while there are some great tunes, fewer good tunes have been offered for psalms than hymns. Thankfully that’s changing, but if you spend a little time around psalms-only singers you will find that they have their favorites (i.e. Psalm 98), as well as a bunch of tunes they avoid because of a lack of beauty and healthy dose of clunkiness. Plus, though I assume it is not their intent, some traditions of psalm-singing smack of legalism and pride. So, too often we abuse the Psalter simply by neglect. 

One Big Happy Family 

Yet… so many hymns are loved, so many have wonderful melodies, so many have been driven deep into our hearts and are a common touch point for millions. Plus, hundreds of hymns are very accessible and singable (if you choose the right key). I wonder how many hymns of the faith have been sung by family members around the deathbed of a loved one. Hymns are a gift to the body of Christ. To skip over hymns is to skip over hundreds of years of devotional insight from the saints who have gone before us. To dump hymnody is to disconnect yourself from the church-historical. As to the difficultly of some of the lyrics, there is value in meditating and taking some time to understand what you will sing. 

Yet… there are songs that have been written and are being written that are musically sound and very accessible, while at the same time lyrically thoughtful and theologically rich. Some songs are simple without being simplistic; some are not overly repetitive; and some are repetitive in a good way. Plus, a well written song can capture the heart’s cry in a way an ancient text can’t. To skip over spiritual songs is to disconnect yourself from the church present. There is value in immediately understanding the text in a way that speaks in the way we speak. 

Yet… singing the Psalms, like hymns and songs, is commanded. They are for our edification. Not sure you like them? Oh well. Sing them anyway. You will find that some are glorious, some are hard, and some are downright difficult. So be it. These were the songs of Miriam, Moses, and David. They were also the songs of Jesus. Not only did he sing them, they are his. The next time you are singing a Psalm and it dawns on you that it’s strange or awkward, ask yourself how it points to or is fulfilled in Christ. Even the Psalms that are not obviously Christological find their fulfillment in Christ. They should not be ignored. To skip over the psalms is to disconnect yourself from the church-eternal. There is value in struggling through the Psalter. 

When our singing reflects the universal body of Christ (past, present and future) it reflects the fact that we are one big happy family bound together by truths, texts, and even tunes. 


I’ve been asked, “what percentage of psalms, hymns, and songs should we sing?” I dunno. 1/3, 1/3 and 1/3? I would kind of like 51% psalms, 30% Hymns, and 19% songs. That may be somewhat arbitrary, and yet my reason is that the Psalms are lasting, hymns less so, and songs less than hymns (contemporary, by its very definition, implies a relatively quick passing body of songs). But that ratio is hard to employ in real life, especially if your church has not been in the habit of singing the psalms. 

Therefore, I simply try to use all three categories over several weeks. If there is a Sunday that does not use a song, that’s ok…..or a Sunday that does not have a hymn, fine. No Psalm? Lightening will not strike you down. However, because more often than not we skip Psalms, I tend to emphasize reclaiming the practice. At my last church we were up to 30-40% psalms, in part because the practice was already alive when I arrived. I simply had to build on it. Even so, it takes time to teach, a will to press ahead, and a willingness to get questioned about it. Once you begin, you will find that it’s musically and theologically rewarding. The fruit is eternal, for you are singing the eternal and living word of God. 

So, here’s to psalms, hymns, and songs. Let’s sing ’em.